CURT CARPENTER
ASPEN PRINTMAKER
"Your woodblock prints capture the essence
of Aspen."
ANNA SPEESSEN
Red Brick Center for the Arts
Aspen
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Coneflowers at Maroon Lake
Moon Over Dam's Knob | Snowmass
Skiing near Ashcroft
Ashcroft Hotel
Ashcroft in the Castle Creek Valley
Dog Hole on the Roaring Fork
North Face of Capitol Peak
Spar Gulch drops into Aspen
Fiddle Concerto | Chamber Symphony
Capitol Peak and Mount Daly
Taildragger landing on runway 33
Skiing Maroon Creek Road near Pyramid Peak
Hydraulics in the Roaring Fork
Garrett's and Capitol Peak from the Burn | Snowmass
Mt. Daly from Hildur Anderson's Ranch | Snowmass
Erratics in the Roaring Fork near Stein Bridge
Pyramid Peak from Picnic Point | Tiehack
Sunday in the Music Tent
Shadow Mountain
Summer skiing at Montezuma Basin | 1960s
Roaring Fork River near the airport
Snowcats grooming Aspen Mountain
Spring runoff on the Roaring Fork
Grumman Gulfstream V winglets
Pine Creek Cookhouse Team in Ashcroft
Moonlight on Independence Pass
Piano Concerto in the Tent
Pine Creek Cookhouse Sleigh | Ashcroft
Maroon Bells morning
Difficult Creek Windfall
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Here are 30 small, 6 x 6" woodcuts—which could be illustrations for an out-of-print Aspen Chapbook*—all based on field drawings made while hiking or skiing around the Roaring Fork Valley.
I'm fascinated by the challenge of simplifying a drawing into a woodcut: just four values—white, blue, blue/gray, and black—cut into square blocks of birch-veneer plywood.
The process (and the craftsmanship) of printmaking—cutting the blocks in reverse so they print right-reading, registering the blocks to fit, inking, transparency, running the blocks through the press, signing and numbering the prints—are deeply satisfying.
*Chapbooks first appeared in 16th century as small printed books, illustrated with crude woodcuts, and printed on a single sheet, folded into from 8 to 32-page signatures, then sewn and bound. The way that these books were printed, the reader would have to cut open each page with a paper knife before it could be read.
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